This piece continues my exploration of folds and drapery, elements often overlooked in art history despite their significant role in shaping visual narratives. For instance, Baroque artists utilized folds not only as a formal tool but also as a means of interpreting and organizing the world around them—seeing it as an endless series of interwoven layers.
By removing the drapery from its original context and stripping away the bodies it once enveloped, I aim to transform the fabric into a subject in its own right. This disembodied state allows me to bring the folding principles and the underlying philosophy into sharper focus. Without the human form, the fabric gains a new life, evoking a tension between absence and presence. It recalls memories of the body that once wore it, inviting the viewer to reflect on the invisible narratives embedded within each fold.
Teresa, drypoint monoprint, 47,5 *65,5 cm, 2025
After Bellini, drypoint nonoprint, 49,5*68,6 cm, 2025
Noli mi tangere, drypoint monoprint, 2025